The Mystery of the Broken Clay Dolls

More than 100 of these Late Jomon-Final Jomon period broken clay figurines were excavated from the Okumiomote site, Asahimura, Niigata prefecture (Asahimura Education Board)Masses of clay figurines have been recovered from sites in Hokkaido, Tohoku, Kanto and Chubu from the Middle, Late and Final Jomon periods. The Sannai Maruyama village site alone turned up 1,500 figurines. Nearly 4,000 figurines were recovered from sites in the Tohoku region. Why did the Jomon people make so many clay dolls and figurines? What were they made for? How were they used? From Middle to Late Jomon periods, the Jomon people made large numbers of human figures from clay, especially in the Chubu region. These figurines mostly represent pregnant women, a typical example and a famous figurine is called the Jomon Venus figurine. Such clay figures have been discovered in great numbers in the eastern parts of Japan and in Kyushu, particularly in the area around the outer crater of Mt. Aso. The earliest figurine found (at the Kayumi Ijiri site in Mie prefecture) is dated from the Incipient Jomon period. It had rounded breasts that suggested the figure was that of a woman's. Only a few clay figurines from the early periods have been found and the figures usually had very clean and curved lines and modern looking abstract forms. Many of the clay figurines seem to have been broken on purpose -- they are thought to have been used in some ritual ceremony to cure illness or to cleanse people of their faults or impurities. Perhaps like existing customs in some rural parts of Japan today where figurines are made to protect people from disaster and epidemics, the figurines may have been used as ritual substitutes for the owners. A smaller number of scholars think the figurines may have been charms or protective amulets used to call upon the divine gods for favour. Why were there so many female figurines and pregnant-looking figurines? Who did they belong to?Most Japanese archaeologists believe the pregnant figurines represent an earth goddess or deity ... and some may have been connected to rice cultivation in the Late Jomon of Kyushu. Perhaps they accompanied prayers for abundant harvests. Others may have been ancestral gods.Others think the figurines were female because the clay dolls were made and owned by women and were a symbol for reproduction and the regeneration of life. They may have been used for protection against the risks of childbirth, illness and death, or they may have been used in fertility rites to make their chances of having babies or of giving birth to healthy babies more successful. Most of the Jomon figurines do not look like real people and are not realistic depictions but are whimsical or have distorted forms with large faces, small arms and hands and compact bodies. Some of the later figurines look like people wearing goggles (and spacesuits) that have given rise to wackier theories that the Jomon worshiped ancient spacemen. Slit-eyed, cat-like image on pottery fragment (Sagamihara City Museum)

 

Some of the northern Middle Jomon period figurines were slab-shaped. However, styles became more varied during the later part of the era, and included heart-shaped, triangular-shaped figurines, horned-owled, cat-faced and slit-goggled figurines.

   

Japanese macaque, Totsurasawa site, Aomori prefecture, Late Jomon.

Some of these animal-like figurines had upright bodies with enlarged breasts and huge buttocks. A few heads are crowned with a coiled snake. Experts believe the figurines were used during snake-cult ceremonies performed by female shamans. The animal-like faces are usually telltale signs of animistic forms of nature worship; that is, animals in nature were sacred to or revered by the Jomon people.

The sacred snake was most likely the mamushi, a deadly snake that could be found at high altitudes and in the cool mountains and around Lake Suwa where the snake-worshipping people of the Middle Jomon people lived. One poisonous bite of the mamushi upsets the brain and nervous system, and the Jomon people would have been in awe of this animal.

Many of the figurines were made and laid out specially or in public communal settings, which tells us they were likely to have been used in magical rites or ceremonies probably to aid or celebrate the success of important occasions of fishing, hunting expeditions and childbirth.    

If so, another question scholars ask is, were there shamans in Jomon society or powerful leaders who were performers of magic and rituals, like in other similar cultures elsewhere in the world?

Most figurines were found in the midden dumps and around large Jomon settlements in Yamanashi prefecture. In some places, small numbers of figurines were intentionally buried, inside small, simple stone circles.  Clay figurines were clearly used as burial offerings only at the end of the Jomon era in some Hokkaido sites.  

To view the virtual gallery of Jomon figurines, click on the tabblo below. 

(You might also like to take a tour of the University Museum, the University of Tokyo’s photo gallery of Jomon figurines here.)<